What is Barbershop Music? 

The exact origins of barbershop music remain a mystery, but we know that in the 1890s, men would gather in local barbershops and general stores to create harmony while singing the popular songs of the day. This gave rise to a uniquely American style of music.

Barbershop harmony features the melody in the second tenor part, rather than the traditional first tenor spot. The distinctive sound is achieved through close harmony and the use of the "7th chord." 

What is the Barbershop Harmony Society?

In 1938, O.C. Cash and his friends gathered in Tulsa, Oklahoma, to form the Society for the Preservation and Encouragement of Barbershop Quartet Singing in America, known as SPEBSQSA. True to their name, their goal was to preserve quartet singing in the barbershop style. Since then, the Barbershop Harmony Society has grown to over 23,000 members worldwide.

Each week, more than 600 chapters in various countries meet to rehearse songs for upcoming performances.

Can I Join the Spirit of St. Louis Chorus?

Any man from high school age and up is welcome to join us at our weekly practices. You will see details on our Rehearsals page. See below for requirements about becoming a member.

What Are the Requirements to Join?

To become a member of the chorus, you need to attend three consecutive practices, pass an audition, and apply for membership with the Barbershop Harmony Society.

You can find more details on our Join page.

Tenor
Range: C to high C. The first tenor harmonizes above the melody, typically using falsetto rather than full voice, unlike classical or church choirs. No operatic sound needed! If you have a high voice, our tenors can help you develop falsetto. Even if your natural voice is lower but you have a strong falsetto, this part might suit you.

Lead
Range: middle C to high F. Leads, or second tenors, sing the melody most of the time. While melody may seem simpler, leads carry the responsibility of maintaining a clear, strong tone to support the harmony. Some high baritones can sing lead, but may need falsetto for higher notes.

Baritone
Range: spans above and below the bass clef. Baritones are middle harmony singers, weaving above and below the melody. This part is like the tenor part in church hymnals and is perfect for those who love harmony. A powerful solo voice isn’t required—just the ability to blend smoothly.

Bass
Range: low F to middle C. Basses provide the foundation, singing low harmonies that support the melody. The audience often hears the bass along with the lead. Our bass section includes both low and “high basses”—those who handle higher notes in the bass range while the very low singers take the deep, resonant parts.